Sunday, January 27, 2013

Loneliness and Life of Pi

It's no joke that my favorite pastime is movie watching. It's my go-to for any stretch of free time, and on weekend mornings you can often find me relaxed (or slumped) in front of the screen.

Movies are my adventures. I connect with fictional strangers every day, engulfed in their stories which are so vivid to me that characters feel almost like friends in my heart. Through films I adventure to the tips of the world, where my senses and feelings are heightened.

I am somewhat of an adventurer myself. I live in Denmark, where I am a foreigner. Being a foreigner means living outside of your comfort zone. And while it's usually fantastic and exciting, sometimes it gets lonely. So movies are also what I turn to when I'm feeling alone, because they are an escape from feeling lonesome.  It's rare that in a bout of melancholy I'll choose to take a walk in Fælledparken, despite my mom's well-guided suggestions. Instead of seeking comfort in nature or the city of Copenhagen, in these instances I tend to reach into another, filmic, world. It seems easier to displace my emotions onto a story than to tackle them head on during a walk where my own thoughts, not a character's, are front and center.

But today was different, because the filmic world became my own. My grumbling stomach pulled me into the kitchen of the kollegium where I live. I thought, I'll just make some quick lunch and then, I will work on my thesis. I had already watched part of a tennis match and Blå Mænd instead of working (being a film student makes you feel like any film you watch is justified as part of your "studies," even when it's a goofy Danish comedy about a recycling plant starring my Danish crush Thure Lindhardt). But my hallmates were starting Ang Lee's Life of Pi on the projector, and ooouuff I really wanted to see it. Plus, it was one of those listless snowy Sundays where a dour mood was winning against productivity. So I watched the whole thing, and it is dazzling. I don't need to tell you that much about this story of survival, beauty, and God; just see it.

I had a different reaction than most will have to this story. I think many will walk away from the film both struck by the gorgeous CGI, and thinking about religion, fragility of life, and whether or not the whole thing is an allegory. For me, however, it was Pi's loneliness that collided with my own. His need to survive after a shipwreck is of course something my comfortable life has never had (nor do I wish it!), but in some ways I felt his lifeboat was my own.


I think we all drift, alone, in our lives at some points--feeling isolated, warding off danger, and searching for companionship in our surroundings. Allegory aside, Pi had to tame and befriend a tiger to keep him sane and alive; perhaps in moments of deep loneliness we too feel fragilely human, and that the people who surround us are another species who do not understand us.

This is sometimes how I feel in Denmark when loneliness hits (thankfully it's not often). With my family far away, I think about the life I have here and wonder if choosing to live in a foreign country was in fact an act of isolation. My goals here--to learn the language, to make earnest friendships, to have new experiences, to create and sustain a life worth living--sometimes get lost in the loneliness of having to exist forever in translation. Because it's hard to connect, really connect, with another human being (or tiger), in a foreign language and culture.  But this is not just the case for ex-pats like me in the midst of mid-twenties self-investigation who have chosen to investigate far from home. I think it's true for everyone--beyond survival, we want to be understood.

Thursday, January 24, 2013

Whoa David Bordwell

Yesterday I got lucky.

I got to sit and listen to David Bordwell speak for a whole hour and a half about film.


And you know what was great? Even though he was part of a symposium on metaphor in the art film at the University of Copenhagen, he didn't sound like an academic. Instead of using convoluted, rambling sentences that wind their way to a point, he distills his thoughts into pure film theory gold. It was so refreshing to hear him talk so simply, and make so much sense, which is all too rare in a theorist. And because it's useless to rhapsodize about him in my own words, I'll give you a few of his:

"Narrational modes become a conceptual frame that prompt us to make figurative meaning, so read the signs according to what the film itself sets up."
 

Tuesday, January 8, 2013

Feminist Guilty Pleasure: The Bachelor

Yes, I am ridiculous. I watch The Bachelor. I carve out a ghastly two hours a week when this show airs, even when exams and a thesis loom.



If you're unfamiliar with it, this reality television show features a hunky, toned-like-a-Ken-doll suitor going through the motions of dating 25 girls in hopes of finding a wife. NB: use the term "wife" loosely. Over 8 weeks (!) he is expected to propose to a fiancée by going on "group dates" and "one-on-one" dates all over the world in clichéd romantic destinations, and at the end of each episode he eliminates one whimpering girl at a "rose ceremony." The premise promises just as many cat fights as woozy romantic hyperboles, and the finale televises the ultimate choice between the two girls left standing. Can the man uphold his end of the bargain and choose one woman to be his (neverlasting) one and only? Which woman will convince herself she loves a man so much after two months that she'll say yes? Their engagement usually lasts just about as long as their 15 minutes of fame. Oh, and there's also The Bachelorette, the same idea but with 25 men and one woman.

Yet, although the show is steeped in inventive/insane delusions and producer-driven artifice--who can say "I love you" first? who has a boyfriend back home?--I watch the show because I am fascinated by the heteronormative gender roles it pronounces. Man: muscled, provider, family man, tough with a heart of gold. Woman: dolled up, husband hungry, destined for motherhood, emotional. Only recently (after about 10 years and over 20 seasons) have we begun to see any semblance of non-traditional paths, like--gasp!--unmarried single moms. In an era of groundbreaking television shows like Girls, The Mindy Project, and New Girl, which explore how varied (and also difficult) current young women's lives are, The Bachelor is stuck in a reality-tv deadzone that keeps gender in a box.

I don't know what it is that creates this changelessness on The Bachelor, but I've ventured some guesses:

  • The producers actively cast naive women in their mid-twenties who were weaned on romantic comedies 
  • Alcohol, cameras, and the promise of fame combine to lead the women to invent dramatic personalities that are an act 
  • The producers peg the women against each other while making it seem like the Bachelor is perfect 
  • Tricky editing makes us believe things happened as they didn't 
  • Getting wined and dined on the world's most expensive dates will bring anyone to domestic dreamland just for a second 
Maybe I'm the one being naive for searching for some lingering truth in this "reality" show, but I do think there is something toxic but also telling about combining love and competition. It's a basic power struggle magnified twenty-five fold. The bachelor/ette holds the power over the 25 contestants, who jump through hoops to win affections. The girls bond/backstab, the men wrestle/worship, and it all plays out like mating or courtship behavior. You could call the gender performance here instinct or socialization (I prefer the latter), but there is definitely a ritualization of traditional gender roles that all the parties involved repeat. 

Finally, the show magnifies the great fears a lot of single people face: that we'll never fall in love, and that we'll be rejected. In this case, that can happen instantaneously, in a very public way. So, as a result, it's desperation mode. People go on this show searching for attention and hopeless love. I think the contestants who choose to air their dirty laundry on TV (both men and women) have an especially strong exhibitionist side, but then again, we're all on Facebook. 

So, mock me all you want, but the feminist in me isn't ashamed to admit that I am fascinated by this show.